AI Director · Image & Sound · BarcelonaFrom first idea
to final cut.

Before AI: music and sound design for brands, film and television.

Freelance / OEO & Parser / Trafalgar 13 Music House

Freelance / Deluxe / VSI

1. The idea.

   Every piece starts from a twist: a word taken literally, an object that hides a world, a hero who isn’t who you think.

2. A sparring partner, not an autopilot.

   I develop script, shot list and schedule in a running dialogue with Claude: I track which shots are done and which aren’t, fix what breaks, and bring it in when I’m stuck. I push back on its ideas and it pushes back on mine. Every decision on screen is still mine.

3. Direction with AI.

   I generate in Magnific, with Seedance for motion and Nano Banana for stills and references. Camera, lens and shot choices come from me, not from presets: I write them shot by shot, or as one continuous take when the model can hold it, and throw away whatever doesn’t serve the story.

4. The cut.

   Edited by hand in DaVinci Resolve and CapCut, where I also upscale. Rhythm, reveal and what to leave out are decisions, not templates.

5. Sound and music.

   Where my 23 years show. AI gives me a starting point; orchestration, sound design and the final mix are mine. How much is human and how much is AI depends on what each film needs.

Toolkit Claude · Magnific · Seedance 2.0 / 2.5 · Nano Banana · Midjourney · DaVinci Resolve · CapCut · Suno v6 · Krotos Studio · Pro Tools